金箱 淳一（Junichi Kanebako）

1984年、長野県浅科村（現：佐久市）生まれ。 楽器インターフェース研究者、Haptic Designer。神戸芸術工科大学准教授。
情報科学芸術大学院大学（IAMAS）を修了後玩具会社で企画を務める。
その後女子美術大学の助手を務め、筑波大学大学院人間総合科学研究科で博士（感性科学）を取得。
慶應義塾大学大学院メディアデザイン研究科の研究員を経て、産業技術大学院大学助教、現在に至る。

障がいの有無にかかわらず、共に音楽を楽しめる「共遊楽器」（作家による造語）を研究・開発している。
作品「楽器を纏う」の開発経験を基に東京2020パラリンピック閉会式 演出協力、他クライアントワークも多数行う。
作品「音鈴 - 信濃」「Vibracion Banco」は長野県立美術館に収蔵。

Junichi Kanebako is an interactive artist, musical instrument interface researcher, haptic designer, and educator based in Kobe, Japan.
Born in 1984 in the village of Asashina (now part of Saku City), Kitasaku District, Nagano Prefecture. He completed graduate studies at the Institute of Advanced Media Arts and Sciences, and then worked in planning for a toy company, as a teaching assistant at Joshibi University of Art and Design, and as a researcher at the Graduate School of Media Design, Keio University. He received Ph.D in Kansei Science from University of Tsukuba in 2016.
He was a assistant professor of innovation for design and engineering at the Advanced Institute of Industrial Technology, he is currently an associate professor at Kobe Design University. His research deals with what he calls kyōyū musical instruments, “co-playing” interfaces for people to enjoy music together, regardless of ability or disability.
Based on his experience of making Wearing Musical Instruments, Kanebako contributed to the closing ceremony of the Tokyo 2020 Paralympic Games. He also undertakes various commercial projects for clients. His two 2021 works On Ring – Shinano and Vibracion Banco are part of the collection of Nagano Prefectural Art Museum.

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